Studying with us in 2021/22
It is possible that the 2021/22 academic year may be affected by the ongoing disruption caused by the COVID-19 pandemic. Any arrangements put in place by the University for the 2021/22 academic year will be in accordance with the latest government public health advice, pandemic-related/health and safety legislation, and the terms and conditions of the student contract.
This four-year degree course (incorporating a foundation year) has been specifically designed to allow you to undertake an additional year of study which will build stronger creative footings to ensure successful progression through their chosen degree program.
Working in a lively and energetic environment, you will be given the freedom to expand your knowledge of practical skills, creative exploration and conceptual development, underpinned by broad critical understanding, academic writing and emerging theoretical principles.
There will be a range of opportunities to work on collaborative and individual projects aimed to develop employability partnerships and to identify the role of developing practitioner. BA teaching staff from across both schools will work closely with you throughout the course to prepare you for progression.
After successful completion of the foundation year, you will have the flexibility to switch (should you wish to change direction) onto a number of related undergraduate degree programmes within Birmingham School of Art or the School of Visual Communication.
Our diverse and exciting BA (Hons) Graphic Communication degree course is a must for anyone passionate about graphic design and looking to pursue a career in the creative industries.
Thanks to established links with major advertising agencies, publishing houses and interactive design groups, the course is structured to provide you with industry-relevant skills in the fields of communication, branding, strategy, creative advertising and design, in still and moving images, both in print and online.
Lecturers are well placed to give commercially relevant guidance based on current trends and historical contexts.
Collaboration with other disciplines is encouraged, developing new ideas and connections with subjects such as illustration, photography and film and animation.
The Graphic Communication course expects you to stand out through your imaginative thinking, passion and commitment to new ideas and international perspectives. You will study a course that will enhance your design skills and challenge your creative thinking, helping you identify the latest directions in design and advertising communication on a world stage.
We attract independent learners who are creative, imaginative, playful, full of passion and totally aware of the power they possess to facilitate change, inform opinion and make their mark in industry.
In three years you will be engaged in all the practical and intellectual skills as practitioners in an ever-changing commercial environment. Many graduates have gone on to become leaders in their field of specialism and they often return to the University to share this knowledge.
You will immerse yourself in our vibrant creative community, based at our City Centre Campus, where you will find screen-printing, letterpress facilities, Adobe software training rooms and studio facilities to enhance your design work. You will also have the opportunity to study abroad for part of the course, or to go on trips to destinations such as New York, Berlin or Paris.
You will engage with live project briefs with companies and industry partners. These range from local to international and include such companies as the following - Moonpig, NHS, Studio Bonito, McCann Erickson, The Times, Chapter, One Black Bear, Cogent, Leo Burnett London, Beattie McGuinness Bungay, Fluid, Z3, Boxer, Momentum, CBSO, Ikon, Birmingham Hippodrome, John Taylor Hospice, Hello Creatives, DMA, and Saatchi & Saatchi.
Your tutors are enthusiastic about their specialisms, which fosters an invaluable knowledge transfer within the course. We have exceptional levels of external engagement, with visiting lectures given by nationally and internationally-recognised practitioners, as well as having numerous links with industry, workshops, seminars, masterclasses, careers advice, portfolio reviews, mentorships and placements.
"The learning environment we are in has really helped me to develop my creative thinking. We’re able to collaborate with students across different courses which will be a useful skill when going into the world of work, as the majority of creative jobs involve working in a team and collaborating across different areas." Josh Johnson
Visit our School site for more student work and extra information about how we're transforming the futures of creative practitioners.
Our students have gone on to work with companies such as:
We accept a range of qualifications, the most popular of which are detailed below.
Essential | ||
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80 UCAS tariff points. |
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LEVEL 2 QUALIFICATIONS | ||
IELTS | Minimum overall score of 6.0, with 6.0 in writing and no less than 5.5 in the remaining three skills. | |
LEVEL 3 (and above) QUALIFICATIONS | ||
A Level and Advanced VCE |
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AS and AS VCE |
Considered with a maximum of 3 other Level 3 qualifications (AS Levels must be in different subject to A-Levels) to obtain 80 pts | |
Access to HE Diploma |
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MMP | |
Foundation Studies (Art and Design, and Art, Design & Media) |
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IBO Certificate in Higher Level |
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International Baccalaureate Diploma |
Obtain a minimum of 24 points overall | |
Irish Leaving Certificate (Highers) |
Pass the Irish Leaving Certificate with a minimum of 80 tariff points, achieved in five Higher level subjects. | |
OCR Cambridge Technical Extended Diploma |
MMP | |
Scottish Advanced Higher |
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T-Levels |
Pass overall (C or above on the core) | |
UAL Extended Diploma in Art & Design |
Merit overall | |
UAL Extended Diploma in Creative Media Production & Technology |
Merit overall | |
UAL Extended Diploma in Performing and Production Arts |
Merit overall | |
Other qualifications | ||
If you have a qualification that is not listed in the table please refer to our full entry requirements on UCAS. Further guidance on tariff points can be found on the UCAS website. |
Essential | ||
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Please see your country page for further details on the equivalent qualifications we accept. In addition to the academic entry requirements listed above, international and EU students will also require the qualifications detailed in this table. |
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EU/Non-EU (International) Qualifications | Requirements | |
IELTS |
Minimum overall score of 6.0, with 6.0 in writing and no less than 5.5 in the remaining three skills. If you do not meet the required IELTS score, you may be eligible for one of our pre-sessional English courses. Please note that you must have a Secure English Language Test (SELT) to study on the pre-sessional English course. More information. |
Applications from mature students (21+) with alternative qualifications and/or considerable work experience will be considered on their merits.
Award: BA (Hons)
Starting: Sep 2021
Award: BA (Hons)
Starting: Sep 2021
If you're unable to use the online form for any reason, you can complete our PDF application form and equal opportunities PDF form instead. The University reserves the right to increase fees in line with inflation based on the Retail Prices Index or to reflect changes in Government funding policies or changes agreed by Parliament up to a maximum of five per cent.
UK students applying for most undergraduate degree courses in the UK will need to apply through UCAS.
The Universities and Colleges Admissions Service (UCAS) is a UK organisation responsible for managing applications to university and college.
You are not required to submit a portfolio for this course.
As part of your course you will become a professional member of Design and Art Direction (D&AD). D&AD is a British educational charity, which exists to promote excellence in design and advertising. Your membership could culminate in you showcasing and exhibiting your work in London in your final year of study.
You will become a member of the Paper Library, a resource for designers, creatives and brands. The library features thousands of paper, boards, packaging materials, coverings and foils from the world’s leading mills and producers, as well as exemplary samples of print and packaging. This is a resource that will help you to become proficient at ordering and selecting the appropriate stock for your design work.
All students are provided with access to the online training site Lynda.com and Adobe accreditation is also available for all students.
Our courses include activities such as performance, exhibitions, field trips and production of works or artefacts which may require you to purchase specific equipment, instruments, books, materials, hire of venues and accommodation, or other items.
Based on the past experience of our students, you might find it helpful to set aside about £50 for each year of your studies for your personal stationery and study materials. All our students are provided with 100 free pages of printing each year to a maximum total value of £15.
During your first year, you may need to budget for initial design equipment and materials, and in your final year you will be expected to invest in a portfolio to present your final work for assessment (advice will be given on sourcing the most cost-effective suppliers).
The cost of accommodation and other living costs are not included within your course fees. More information on the cost of accommodation can be found in our accommodation pages.
Working in a lively and energetic environment you will be given the freedom to expand your knowledge in conceptual development, practical skills and creative exploration underpinned by broad critical understanding and emerging theoretical principles.
You will work individually and collaboratively to develop a stimulating visual portfolio of work that evidences your enthusiasm for further study within a specific subject area.
BA teaching staff from across both Birmingham School of Art and the School of Visual Communication will work with you throughout the course and you will have full access to all of the University facilities.
The two first semester modules will run in conjunction with each other to enable understanding of the relationship between developing work and potential contexts.
These modules will form the building blocks for future work and will focus on developing confidences with techniques, learning skills and productivity. The two final semester modules will run in conjunction with each other to enable a positive integration between Perspectives on Practice and Creative Realisation.
In order to complete this course you must successfully complete all the following CORE modules (totalling 120 credits):
Your first year of study will introduce you to the basic skills and critical framework within Graphic Communication. You will be taught through a series of modules, which provide you with the knowledge to further explore this ever-expanding discipline.
You will develop skills that encompass composition, line, form, narrative, type, imagery, colour, juxtaposition and ideation. From these fundamental principles, you can tailor the remainder of the course to areas of graphic communication that are of particular interest to you and your future career aims. Through your modules you will discover the application and use of colour, light, scale, composition, the typographic hierarchy, motion design, UI and interactive design.
Fundamental visual communication issues will be addressed through a series of core lectures and theory seminars. You will also have the opportunity to work with other students from across the School by selecting one of five in house options.
In order to complete this course you must successfully complete all the following CORE modules (totalling 100 credits):
In order to complete this course you must successfully complete at least 20 credits from the following list of OPTIONAL modules:
Through a combination of theory and experiment, you will learn how to evaluate and apply principles to practice, and will receive opportunities for placement, field study, collaborative and interdisciplinary work. We shall help you to develop your own personal direction, focusing towards the establishment of a specialised and flexible area of practice.
You will learn how to effectively communicate information, arguments and analysis in a variety of forms to specialist and non-specialist audiences. You will enhance your ability to work collaboratively within a working environment, demonstrating knowledge of the main methods of enquiry within the field.
You will develop your critical awareness, individual style and perspective and. You will formulate approaches to solving problems, helping you to further understand the creative role, opportunities and responsibility of the contemporary designer.
In order to complete this course you must successfully complete all the following CORE modules (totalling 100 credits):
In order to complete this course you must successfully complete at least 20 credits from the following list of OPTIONAL modules.
During your final year of study you will be supported in establishing the confidence to acknowledge and assert your own distinctive work identity. You will be required to demonstrate within your work a particular view of what constitutes a design proposition.
You will enhance your communication skills, allowing you to develop confidence and understanding, allowing you to capably articulate your views and knowledge to others.
The final year of the programme is designed to help you demonstrate a systematic, extensive and advanced knowledge of contemporary Graphic Communication. You shall work autonomously or collaboratively to a professional standard on self-generated projects, with creativity and imagination.
In order to complete this course you must successfully complete all the following CORE modules (totalling 120 credits):
Images: Amritpal Sembhi / Tom Armstrong
Look book
Students successfully collaborated with photography and fashion staff and students to create a look book. This substantial editorial was professionally designed and printed. The student’s involvement included design, art direction, typographic hierarchy, editing, production and setting up the editorial for print.
Our final-year students engage with briefs which have social benefits as well as experimentation and commercial outcomes.
The following students work are exemplars of these aspects:
View examples of student work...
While you study the course you will be offered opportunities to go on group excursions both in the UK and abroad. There are usually three overseas trips a year, which we offer both at subject level, as well as School level, to Venice, New York and Berlin.
Locations do alter each year to allow for students to experience a range of cities. We always put on UK study trips to places such as London, Manchester, Oxford and Liverpool. Where possible, UK trips are free or heavily subsidised.
As a Visual Communication student, you’ll be encouraged to take advantage of these trips as we see them as adding extra value to your course and they do offer additional research opportunities.
As graduating students you will follow your own career path, which may mean going straight into industry. However, many students look at the opportunities we offer for postgraduate study at the University.
The School runs a one-year MA Visual Communication course as a natural progression from its undergraduate courses. You will be encouraged to continue your journey with us and develop your practice further.
Watch one of our first year Visual Communication students learn to draw and design in a 3D space. See how Virtual Reality can become a source of creative inspiration.
Our students are required to achieve all of the learning outcomes set by the Graphic Communication course and pursue excellence by engaging with competition and live briefs, achieving Adobe accreditation.
Practice-led, knowledge-applied education is facilitated by you engaging and participating in workshops, lectures and seminars. The curriculum and live briefs will sharpen and improve your employability skills and prospects.
Internationalisation of the student cohort, links with Erasmus+ and Birmingham City University’s strong links with China, Malaysia and Thailand offer you a varied global curriculum.
You are required to develop strong networks, identifying opportunities and work placements appropriate to your practice. Visits to companies, interviews and live projects are an excellent way to introduce you and to develop these links. More formal placements have included opportunities with IE Design, Green Room and Fluid, along with various graphic design opportunities including editorial design, branding and art direction.
Summer placements with high-profile companies Z3, TDL and most recently White October have been offered as rewards for live project initiatives. These prestigious opportunities allow students to gain a real insight into the creative approaches used by these organisations.
Our partnerships with industry include the following: day briefs, live briefs, competitions, pitches, curriculum development and awards ceremonies. Live project partnerships include NHS, Beehive, Studio Bonito, McCann Erickson, The Times Newspaper Group, Chapter, One Black Bear, Cogent, Leo Burnett London and more. Take a look at how students have worked with industry here.
OpportUNIty: Student Jobs on Campus ensures that our students are given a first opportunity to fill many part-time temporary positions within the University. This allows you to work while you study with us, fitting the job around your course commitments. By taking part in the scheme, you will gain valuable experiences and employability skills, enhancing your prospects in the job market.
It will also allow you to become more involved in University life by delivering, leading and supporting many aspects of the learning experience, from administration to research and mentoring roles.
The School of Visual Communication offers a broad education as well as the very specific subject skills. We see many graduates working in the creative industries, but also in a variety of employment from management, education, tourism, marketing and freelance business.
Industry demands are constantly changing, so it’s important that we prepare you for all eventualities. The internationalisation components mean you are made aware of global expectations and the possibilities of work outside the UK. All modules have transferable skills built into the teaching, meaning you are able to apply your knowledge to a variety of tasks and challenges.
Graphic Communication graduates work in a range of careers including:
Birmingham City University is a vibrant and multicultural university in the heart of a modern and diverse city. We welcome many international students every year – there are currently students from more than 80 countries among our student community.
The University is conveniently placed, with Birmingham International Airport nearby and first-rate transport connections to London and the rest of the UK.
Our international pages contain a wealth of information for international students who are considering applying to study here, including:
Students come to study in the School of Visual Communication from all over the world but we have nurtured some long-standing relationships with Malaysia, Thailand, China and India.
If you are a student from these countries, or any other, you should consider studying with us as we offer a wide curriculum that has internationalization built into the modules. We actively encourage trans-disciplinary teaching, group projects and have established relationships with colleges and industry overseas.
We take a pride in developing strong creative communities and these thrive on the injection of different cultural experiences. To develop a sense of sharing all experiences and ideas is fundamental to the philosophy of Visual Communication.
International students who have a serious interest in studying with us but who perhaps cannot meet the direct entry requirements, academic or English, or who have been out of education for some time, can enter Birmingham City University International College (BCUIC) and begin their degree studies.
BCUIC is part of the global Navitas Group, an internationally recognised education provider, and the partnership allows students to access the University’s facilities and services and move seamlessly through to achieving a Bachelor’s degree from Birmingham City University.
Our visual communication degrees are housed in the state of the art £62 million Parkside Building, part of our City Centre Campus.
We offer extensive studio and workshop space and cutting-edge equipment such as Vicon 3D (an external tracking motion capture facility) and Gypsy (an exoskeleton-based motion capture system). Both of these systems extend the possibility for production of 3D animation and films.
You will enjoy access to our Hollywood standard MILO unit. We were the first School of Visual Communication in Europe to offer MILO motion capture technology, now one of only two owned by Universities in Europe.
We offer cutting-edge provision such as digital print centres and Sonny Ross became the first student on the Visual Communication course to master the art of the RISO machine. He has since used this to produce many successful RISO publications including “Rojo & Baxter” which has been a success at various zine and book fairs across the country.
We have fantastic letterpress and screen printing facilities and typographic archives as part of our facilities. We offer book-binding and printing techniques as part of the course. Students also have access to 3D printing and wood workshop facilities within the building.
Students from Graphic Communication also have the opportunity to use letterpress and printing in the Winterbourne Press with lecturer Rebecca Howson.
During your Foundation Year you will be based at our Margaret Street Campus - an impressive purpose built Grade 1 listed building. From industry-standard machinery in metal, wood and print, to our studio spaces and media suite, everything you need will be at your fingertips from day one.
As a practitioner she understands the urgency to ‘make’ and the excitement and frustration that comes with this. Jo has chosen to lead the Visual Arts and Communication Foundation Course so that she can introduce students to an environment where ‘making’ can be positively productive and can facilitate learning through creative exploration, providing a bedrock for future study. As an educator she teaches with both academic rigour and humour. Jo designs projects which aim to challenge students to stretch their understanding of art and design and she has admiration for the courage and curiosity of student perseverance.
Specialising in commercial and editorial photography for national and international clients Joe works freelance alongside his work for the University. Experienced in both film and digital photography he is currently working with RED cameras, combining moving and still image. His extensive list of clients include: BBC, British Telecom, Fulham FC, Hyundai, Liverpool FC, Marie Claire, Microsoft, Nivea, the Times, Sotheby’s, The Sunday Times Magazine Tesco and the Young Vic Theatre.
Upon graduating from Northumbria University Newcastle in BA (Hons) Advertising & Graphic Design Christopher was employed as an Art Director for several London agencies; Lowe Howard-Spink / Horseman Cooke, The Unknown Partnership & D4. He worked on accounts for Boots, M&S, James Capel, Financial Times, Britvic, JPS, Virgin, Mappin & Webb, Beggars Banquet and Phonogram, designing brand identities for City Beat, Global Village and XL Recordings.
After completing the MA Communication Design Programme at Manchester Metropolitan University, Christopher worked as a lecturer at Liverpool John Moores University before accepting a full-time post at The University of Salford. He wrote the BA (Hons) Advertising programme prior to accepting Programme Leadership. The programme received consistent successes at YCN, Roses, DADI, Creative Pioneers and D&AD - winning Yellow Pencils across a range of categories from 2006 - 2013 including: Viral, Integrated, Online and Open Advertising, Applied Graphic Design, Illustration, Photography and Copywriting. His current research projects involve the analysis of effective creative content within outdoor advertising. He is a member of D&AD and has completed several External Examiner roles.
His work has been exhibited at The Golden Gallery: Soho Square, The Righton Gallery: MMU, Dry Bar: Manchester, Fusion - Visionfest: LJMU and has been featured in Computer Arts Magazine and The Guardian.
Following student nominations he won two categories at the Solent Teaching and Recognition Awards (STAR) for 'outstanding contribution to teaching' and 'the provision of support for students'. In 2018 Christopher accepted the post of Course Director for BA (Hons) Graphic Communication at Birmingham City University.
Principal Lecturer and Professor of Graphic Art. Award winning Illustrator with 30 years of industry engagement. Currently Head of Undergraduate Studies in the School of Visual Communication. Responsible for developing courses in the School of Art and initiating several outreach programmes for the University. Research areas include the development of autographic print processes in contemporary graphic art practice.
George worked as a freelance Illustrator/Designer for a wide range of clients within the areas of editorial, publishing, design, branding, TV, etc, between 1987 to 2004 while based in London. Since 1997 George has looked to combine both his interests in art and design education with his continuing freelance work within creative industries as well as undertaking more personal research projects.
This experience has provided George with a wealth of knowledge and understanding of the creative industries, which he uses to advise and nurture the talents of his students and prepares them for the numerous career avenues they move into after graduation.
Nathan Tromans background as a Photographer, with an interest in contemporary art and music, provides the backbone to his role in encouraging interdisciplinary practice. Managing some 600 students across the UK, Hong Kong and Thailand, Nathan is committed to ensuring courses have vocational relevance and is active in developing a number of links with appropriate industry partners.
“Work experience and placements are crucial for employability; we know that those students who work on placements are much more likely to get permanent employment in their area of interest. We have made it a priority to embed live projects in our courses, with industry guests, technical master classes, guests and portfolio reviews.”
“The University is a fantastic resource, which is under used. The important thing is that sustainable relationships are built on common interests and values, with mutual benefit. It’s not about renting space, equipment or expertise but about building a creative community.”
This external focus has supported the development of many talented new visual communication specialists.
“Our Graphic Communication students have been particularly successful in the D&AD awards, winning placements and being nominated for the award and being published in the annual book. Illustration students are currently taking part in an exclusive live project/competition with Uni-Ball, using their popular Posca Pens.”
“Two of our photography students have recently been fortunate to get internships at Magnum, the world renowned photo agency. This education partnership with Magnum gives staff and students exclusive access to their on-line database of images, opportunities for internships, an open invitation to Magnum HQ and access to Magnum staff and photographers.”
Nathan is currently looking at ways that he can develop placement opportunities for freelance photographers and has begun one with the Glee Club in Birmingham, where photographers get an opportunity to take live pictures of music and comedy events and also some opportunities for portraiture of touring artists.
“This external interface is crucial, as our staff, students and graduates make up a large part of the creative community in the city and beyond.”
David has specialist knowledge in brand experience and advertising design. David has a rich background engaging with industry and a passion for typography. David is currently investigating the sans serif in Britain, and typography as an index to cultural values through his PhD research. In addition to this, David represents the University through the EyeCandy festival and is a member of the Printing Historical Society.
Previous work has included: Chair of Birmingham Artists and founder of the Periscope Gallery, Company Secretary of Vivid, and academic consultant for the Plus+ International Design Festival. David was also an Innovation Mentor for Service by Design and Chair of the digital brand panel for Hello Business.