Conservatoire Research Degrees - PhD

A PhD at Birmingham Conservatoire will help you create opportunities to develop research skills that support performance, composition or a scholarly career. Whether you are interested in music (including composition, music technology, musicology, performance and jazz) or performing arts (theatre, acting, directing, applied drama, dance and interdisciplinary performance practice), you will be supervised by leading experts in the field.

Choosing to study in a conservatoire environment allows you access to top-level performers, enabling you to situate your research in an environment of practical music making and acting.  

• Birmingham Conservatoire has a thriving research community, with particular specialisms in composition, music technology, musicology, performance and performing arts.
• Regardless of your specialism, you will benefit from access to top-level performers and a brand-new, £57 million building with state-of-the-art recording facilities, concert venues and practice rooms.
• Research students have access to a dedicated work-space. We have close links with the city’s musical and theatrical organisations such as the CBSO, BCMG, The Rep Theatre, Midlands Arts Centre and The Royal Shakespeare Company.
• Music students are eligible to audition for our ensembles, and in addition both Music and Performing Arts students can take part in a full range of our practical activities and lectures.
• Our programme offers the flexibility to present your research in a range of formats, depending on the nature of your research, whether it be fully text-based (80,000 words) or practical (composition, performance or scholarly edition) with a written element. 

PhD Research Interests

We have a large number of research staff who supervise PhD students in a range of different areas. We particularly welcome proposals for projects in the following areas:

Composition

(Professor Joe Cutler, Dr Michael Wolters, Howard Skempton, Dr Ed Bennett, Dr Seán Clancy, Dr Andrew Hamilton, Edwin Roxburgh, Errollyn Wallen)

We welcome applications from students with a wide range of compositional interests, including:

• Experimental and Conceptual approaches to existing genres,
• Interdisciplinary and Cross-disciplinary work,
• Jazz composition,
• Electronic Composition and Composition involving live electronics (Dr Simon Hall, Professor Lamberto Coccioli)

Musicology

We particularly welcome applications in the following areas:

• French Music, notably Charpentier, Lully, Rameau, Ravel, Milhaud, Jolivet and Messiaen (within our French Music Research Hub) (Professor Deborah Mawer, Professor Christopher Dingle, Dr Shirley Thompson, Professor Graham Sadler)
• 17^th and 18^th Century Music: Professor Jamie Savan, with a particular focus on performance practice and critical editing, including Italian and French Baroque, English music in the 18^th century, late 18^th century German music (as part of our Forum for Seventeenth and Eighteenth Century Music) (Dr Carrie Churnside, Dr Shirley Thompson, Professor Graham Sadler, Dr Jamie Savan, Martin Perkins, Dr Siân Derry)
• Late Medieval Music, Theory and Critical Editing (Dr Adam Whittaker)
• Music Critics and Criticism (Professor Christopher Dingle)
• Performance Practices of the Renaissance and Early Baroque (Dr Jamie Savan)
• Jazz Studies (in collaboration with Birmingham Centre for Media and Cultural Research) (Professor Deborah Mawer, Professor Tony Whyton)
• Beethoven and early 19^th-century piano music (Dr Siân Derry)

Music Technology

(Dr Simon Hall, Professor Lamberto Coccioli)

As part of the Integra Lab, we welcome applications in:

• Electronic Music Composition and Performance
• Musician-centred Interaction Design
• Music and Audio Software Development

Music Performance as Research

• Proposals in historical performance practice and/or contemporary practice (including jazz) are particularly welcome.

Performing Arts

• The contemporary actor
• Histories of actor training
• Interdisciplinary and multimedia performance
• Theatre making and devising
• Dance performance making
• Choreographic practices
• Embodiment studies
• Eco-somatics
• Ecology and performance
• Spirituality, spiritual traditions and performance
• Applied theatre and performance
• Contemporary drama
• Theatre and politics
• Spatial dramaturgies

Entry Requirements

To apply for our Conservatoire PhD research degree you should have, or expect to be awarded, a Masters degree in a relevant subject area from a British or overseas university.

Exceptional candidates without a Masters degree, but holding a first class Bachelors degree in a relevant subject area, may be considered.

We also welcome enquiries from potential PhD researchers without formal academic qualifications but with appropriate levels of professional experience.

Please send us an initial PhD enquiry containing your brief PhD research proposal (max. 500 words), and/or any questions or queries you may have.

We will review your initial enquiry to ensure your research proposal compliments one of our PhD research interests and if so we will ask you to make a full application.

English Language Requirements

Please refer to our English Language Requirements.

Interview and Audition Requirements

Musicology (including performance-related topics)

At interview you will normally be asked to bring along a recent essay demonstrating your academic writing skills.

Performers

If you intend to use performance as integral to the project you will also need to audition. We would like to hear you perform for about 30 minutes, with a programme relevant to your project if possible. The standard should be equivalent to post-Masters‘ level at a UK conservatoire.

Composers

You will need to present two recent scores together with recordings if available. The expected standard, in each case, is equivalent to that of a completed Masters' from a UK conservatoire. Feel free to consult our Research Department for further guidance.

Research proposal guidance

Your research proposal in the full application should address the following areas:

 The Working Title of Proposal

 Context of the Research

Provide a succinct summary of what has already been done in the field. In the case of practice-based projects this will include compositions and performances as well as literature.

 Research Question(s)

What is it that your project sets out to discover? What are your aims and objectives?

 Methodology

How will you go about undertaking your proposed project? Provide a provisional timeline.

 Resources Required

Indicate here if you require any specialist resources (e.g. access to studios, performers, specialist software, etc.)

 Potential application and impact of your research

What will be the outcome of your project? How will it benefit the research community? Will the findings be applicable outside of academia? 

 Bibliography

If your project includes practice (composition or performance) you will be asked to provide a portfolio of recent work and may be required to audition.

A day in the life of a PhD student

If you're considering doing a PhD there's probably a lot of questions going through your mind: how am I going to pay for it? Should I quit my job? Will I cope with the workload? But most importantly, what is it really like? Karen Patel, a full time PhD student, shares her experiences of juggling life, a part time job and her studies in the video above.

The PhD journey

Full-time students are expected to complete within 3-4 years, whilst part-time students may take 4-7 years. In your first year (two years for PT students) you will spend time reviewing the field and refining your research proposal and projected plan. You will be supported in this through attendance at the PGCert in Research Practice, which runs for the first semester of your studies.

At the end of your first year (second year for PT students) you will complete a Progression Assessment Panel, at which you will present your work to the Conservatoire research community and undergo a viva with an external specialist. Your second year (years 3 and 4 for PT students) is likely to be spent undertaking in-depth research in your chosen area, with the third year (years 5-6 for PT students) involving writing up your results and presenting them in a suitable format (whether that be through composition, performance, or entirely written).

Modes of study

Our PhD programmes are offered full-time or part-time. These modes of study ensure that we can create a PhD research plan around your lifestyle needs, even if you are in full-time employment or overseas.

Full-time PhD Research: three to four years

• As a full-time PhD research student you will undertake much of your research on campus using the facilities at Birmingham Conservatoire.
• You will be expected to complete your research and submit your work for examination within 36-43 months.

Part-time PhD Research: four to seven years

• You would chose part-time PhD research if you opt to study whilst in employment or if full-time study is impractical.
• You will be encouraged to use the campus facilities when you can and may often work from home.
• You will be expected to complete your research and submit your work for examination within 48-72 months.

Examples of classroom activities

As each doctoral project is unique, so is each student’s day-to-day experience. A typical day might include reading, analysis, composition, performance, or critical editing, or any combination of the above. Whatever the nature of your project, all doctorates require independent study and require you to manage an extended, self-directed research project.

We support a range of thesis submissions, including composition portfolio supported by a short written commentary, or a combination of written and performance elements, as well as a traditional written thesis of 80,000 words.

Birmingham City University is a vibrant and multicultural university in the heart of a modern and diverse city. We welcome many international students every year – there are currently students from more than 80 countries among our student community.

The University is conveniently placed, with Birmingham International Airport nearby and first-rate transport connections to London and the rest of the UK.

Our international pages contain a wealth of information for international students who are considering applying to study here, including:

• Explore some of the good reasons why you should study here.
• Find out how to improve your language skills before starting your studies.
• Find all the information relevant to applicants from your country.
• Learn where to find financial support for your studies.

Royal Birmingham Conservatoire’s £57 million music building opened in September 2017, and is located on Birmingham City University’s City Centre Campus in the Eastside ‘learning quarter’ of the city.

This brand new music facility include five public performance venues – a 500 seat Concert Hall, 150 seat Recital Hall, Organ Studio, Eastside Jazz Club and the experimental black box performance venue known as The Lab. As well as these stunning performance venues, we have nearly 100 practice spaces; including 70 small practice rooms and larger ensemble rooms and workshops.

Our new home is the first conservatoire built in the digital age, and as such it has been vital to ensure that the technical infrastructure installed is on par with any advanced commercial facility. We have seven recording studios, a mastering suite, a distance learning hub, and all of our performance venues feature high specification audio-visual equipment that enables interconnectivity and advanced functionality throughout the building.

These impressive modern facilities guarantee that we are excel in our unique dual purpose of providing the highest standard of music education deserved by our students, as well as meeting our role as a concert and performance venue for the people of Birmingham; taking our place in the vibrant cultural landscape of the UK’s second city.