Ed leads a Masters module in Music Management at Goldsmiths, University of London, as a Visiting Fellow.
Ed's doctoral research, ‘Making Art Public: Musicality and the Curatorial’, explores the relationships between post-experimental music and forms of public mediation of aesthetic practices.
Ed is supervising two MA dissertation students at Goldsmiths.
Books
Curatorial Composing: From Staging Concerts to Musicalising Events in Heiner Goebbels' Practice. Cambridge: Cambridge University Press, Elements of Music Since 1945, forthcoming.
Book Chapters
“After Words.” Introduction to Pauline Oliveros, Sonic Meditations, Kingston, NY: momandpop, (commissioned by Pauline’s widow, for launch in May 2022)
“Listening With-Towards in the Gallery.” In The Listening Reader, edited by Sam Belinfante and Joseph Kohlmaier, 49-54, London: Cours de Poétique, 2016.
Articles
“Cura, the Curatorial, and Paradoxes of Care.” Performance Research Journal special issue. Forthcoming (2022).
“Coming to our Senses: from the birth of the curator function to curating live arts.” TURBA 1:1 (2022)
“Taking the Temperature,” review article, TURBA 1:1 (Apr 2022)
“The Concept Album as Curatorial ‘Medium’: Colin Riley’s In Place.” TEMPO 75 (2021), 46-56
“Read aloud at 4am.” Riffs 1 (2017) [on Robert Ashley’s That Morning Thing]
Composer features in BBC Proms: The Official Guide, 15 July – 10 September 2016, 86-95, London: BBC, 2016.
“In Media Res: Heiner Goebbels’ Aesthetics of Absence: Text on Theatre.” Third Text (2015)
“Musical Performance and the ‘Death Drive’.” Interference 1 (2011)
Review article on Ex Oriente: Ten Composers from the former USSR, Tempo 224 (Apr 2003), 65-66.
Review, Shostakovich in Context and Shostakovich: A Life, Tempo 214 (Oct 2000)
Review of recordings of Giya Kancheli and Avet Terteryan, Tempo 209 (July 1999)
Review of Shostakovich Studies, Tempo 199 (Jan 1997)
Review of recording of Shostakovich Limpid Stream, Tempo 196 (April 1996)
