'The Mouthpiece of the Gods'- a lecture recital by John Kenny

'The Mouthpiece of the Gods'- a lecture recital by John Kenny
Guest Artists
Date and time
29 Oct 2025 6pm - 9pm
Location

Recital Hall, Royal Birmingham Conservatoire

200 Jennens Road, B4 7XR

Price

£10
£8 under 16s, over 60s

Booking Information

Wheelchair users are entitled to a complimentary companion seat.

You can book a free companion ticket by selecting the seat next to yours on the seating plan.

Or, for unreserved seating plans, add a second ticket to your basket.
If you wish to discuss your accessibility needs with a member of our team, please call 0121 331 5909.

Assistance dogs are welcome at Royal Birmingham Conservatoire venues. If you wish to bring an assistance dog, please let the Events Office know by calling 0121 331 5909.

'The Mouthpiece of the Gods'- a lecture recital by John Kenny

John Kenny, internationally acclaimed trombone soloist and first person for 2,000 years to play the great Celtic war horn, the Deskford Carnyx, presents an event part recital, part lecture, part detective story - how the carnyx was discovered in the far north of Scotland, forgotten, and eventually reconstructed. How it has risen to take its place as an exciting contemporary musical instrument - how it is played, and what conclusions we can draw about the people who made it 2000 years ago. However, Kenny also puts the carnyx in context by showing how it is related to a great family of instruments world-wide, from the dawn of time to the present day, performing music on instruments from many periods and cultures: trombone, Polynesian Conch, animal horns, and the beautiful Numantian clay trumpets which were made and used by the Arevaci people, a Celtiberian tribe that inhabited the lands between the Central Mountain System and Duero Valley over 2,000 years ago and contemporary with the carnyx.

The story is still unfolding – he will show you the great Tintignac Carnyx of ancient Gaul, discovered in 2004, and the litus made by the Etruscans, lost after ethnic cleansing by Rome, but now reconstructed in collaboration with the European Early Music Project. Many composers have dedicated works to John Kenny and in addition to performing on this dazzling array of instruments, both exotic and ancient, he performs both his own compositions and contemporary classics.

Running time approx. three hours, including interval

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