How to perform a great audition

Take a look at the following videos featuring our Acting students and their top personal advice for a great audition.

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Monologue examples from our students

Familiarising yourself with performing a monologue is a vital part of being an actor; you'll need to prepare them for most auditions, including to get into drama school.

Take a look at these monologues by our third year actors to get a sense of how far they have come in three years of training - you may even pick up some tips for your own audition!

Viewer discretion advised: Some videos contain strong language and adult themes.

Mara Huf

Mara is a dual American and German citizen living in London. She graduated from the BRIT School of performing arts before completing her training at RBC. After graduating Mara signed to Jewell Wright Ltd in the UK, and  Nicolosi & Co in New York.  She has recently played the role of Mekeda in educational series 'Berlin Beats' for BBC Bitesize and is now based in New York, where she will be auditioning during pilot season.

Nicole Miners

Originally from Hong Kong, Nicole is signed with Simon & How Associates. She has recently starred in fellow graduate Eric Mok's original play British Born Chinese, which was part of the John Thaw Initiative Graduate Season 2019 at the Actor's Centre.

Sam Claridge

During his training, Sam represented RBC at the Sam Wanamaker Festival at Shakespeare's Globe Theatre. It was there that he got noticed and signed by Actorum agency, and his first professional contract since graduation was touring with BlackBox Theatre Company in a First World War play called Bully Beef & Whizzbangs. In 2019 Sam toured in a production of Romeo and Juliet with the Young Shakespeare Company.

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hi everyone I'm Steven and I'm Ellie and
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we're here just to give you a few tips
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on auditioning auditioning can be such a
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nerve-wracking time believe me we've
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been there done that got the t-shirt and
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experienced all those nerves but we've
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got a few top tips to help you with
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auditioning at RBC tip number one choose
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your monologues carefully so you have
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two monologues to choose from you have
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your classical and you have your
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contemporary these both need to be
0:27
suitable in terms of casting age and if
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you really like the material because you
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want to find a character and a play that
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will help unlock your curiosity and your
0:38
creativity tip number two practice and
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prepare on the day we're going to want
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to see as much of yourself and what you
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bring to the character and to ensure
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that you've had as much practice as
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possible in the world and also
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researching the world is really
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important tip number three be flexible
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and open to Direction no piece is ever
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going to be perfect unfortunately we
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like to think that everything we're
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going to do is going to be the perfect
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rendition of anything but that's just
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not possible so you might as well have
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fun with it tip number four showcase
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your personality and individuality
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they're looking for distinct individuals
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and what people bring to the classroom
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and to the learning environment because
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it's important that there's a transfer
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of information and everyone is going to
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interpret different text in different
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ways tip number five be time conscious
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and that's kind of in every sense of the
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word as well so give yourself enough
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time during the preparation process give
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yourself enough time to relax give
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yourself enough time with travel and if
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there are any deadlines don't leave it
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to the last minute always get them in
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before the deadline so just remember to
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be yourself because that's what the
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panel are looking for they're not
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looking for perfect performers they're
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looking for students they can work with
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and what you bring to the table is
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interesting
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