Cookies and Privacy

The University uses cookies on this website to provide the best experience possible including delivering personalised content on this website, other websites and social media. By continuing to use the site you agree to this, or your can go to our cookie policy to learn more and manage your settings.

Rule of six could sound ‘death knell’ for many in live music sector

UNIVERSITY NEWS LAST UPDATED : 22 SEPTEMBER

Further restrictions around social gatherings alongside new requirements for night-time economy businesses could sound the death knell for an already under threat live music venues, clubs and event sector, a leading academic and industry research project has warned.

Music Industries

Birmingham City University

Prime Minister Boris Johnson’s ‘rule of six’ law announced recently and which supercedes previous guidance to limit groups of people indoors to 30 or under, will present major new challenges to operators and businesses across England – according to experts from Aston University, Birmingham City University and Newcastle University.

Birmingham Live Music Project [BLMP] is currently documenting the experience of independent operators and companies already reeling from a major reduction in trading income as a result of the Government-mandated lockdown earlier this year, which has led to significant redundancies and an uncertain and perilous future for many.

 With a large proportion of its population below 25 years old (in particular in Birmingham with 40%), two of the largest indoor venues in England, and due to host the Coventry City of Culture in 2021 and the Commonwealth Games in 2022 in Birmingham, the region’s sensitivity to the effects of Brexit and Covid-19 on the ‘cultural tourism’ economy place it at the centre of the local and the global in the creative culture economy.

BLMP is a collaborative think tank featuring academic experts in music industries and international relations from Aston University, Birmingham City University and Newcastle University, is currently measuring the impact of global events on the live music sector for over 12 months – including Covid-19 and Brexit.

Currently auditing, researching and evaluating the impact of the global pandemic on Birmingham’s live music landscape through a vital new mapping resource combined with extensive surveys of audiences and industry workers in the Birmingham city-region, the project presented its first workshop online via Zoom on Friday 18 September.

The event, titled West Midlands and the (international) business of Creative Culture – A globalized local perspective, was the first of three panel discussions presenting conversations looking at the ecology of the creative culture sector, live events and night-time economy of West Midlands with a particular focus on Birmingham, and the interdependencies between various direct and indirect participants, such as policymakers, performers, venues, and gig-goers and visitors.

Panellists included Michael Kill CEO of trade body the Night Time Industries Association (NTIA), Erica Love Director of regional creative industries support organisation Culture Central, and BLMP researchers Dr Patrycja Rozbicka (Aston University), Dr Craig Hamilton (Birmingham City University) and Dr Adam Behr (Newcastle University).

Return to the previous page.