Linda Stupart is an artist, writer, and educator from Cape Town, South Africa. They completed their PhD at Goldsmiths in 2016, with a project engaged in new considerations of objectification and abjection.
They are interested in the possibilities for writing and making discrete grounded encounters with different kinds of bodies (of knowledge, objects, affect as well as corporeal bodies) as a way to think through less alienated ways of living and thinking together. This comes out of encounters with feminist art, postcolonial, ecological, queer, and affect theory as well as embodied and object-based critical institutional encounters.
Their current work consists predominately of writing, performance, film, and sculpture, and engages with queer theory, science fiction, environmental crises, magic, language, desire, and revenge.
They had a solo show at Arcadia Missa in March 2016, A Dead Writer Exists in Words and Language is a Type of Virus and launched their debut novella, Virus, also at Arcadia Missa. Their work has been the focus of two solo exhibitions in Cape Town and has also recently been shown/performed at Nottingham Contemporary, Matt’s Gallery, Tate, The Showroom, a.m. gallery, the ICA, Gasworks, and Guest Projects in London. In 2017 they curated DEEP ANGER TRUE LOVE TENDER CARE at The Horse Hospital.
Previously, Stupart has taught at the University of Cape Town, Goldsmiths, Camberwell Arts College, London College of Communication, Oxford, and University of Reading. They have worked as workshop artist in education teams at South London Gallery, Battersea Arts Centre and Tate Galleries. Stupart recently completed an in-schools resource with Tate Schools and Teachers to support teachers in using art to talk about gender.