PME School Of English : Writing - MA


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Writing - MA

The MA in Writing is run and validated by Birmingham City University and is aimed at emerging writers. It may be taken full-time over one year or part-time over two years. Modules are available in Fiction, Creative Non-fiction, Screenwriting, Scripting/Staging, and Poetry.

Students will be helped with professional advancement through the end-of-year show and the annual anthology, both of which offer excellent showcasing opportunities. Students will also have contact with visiting industry professionals who offer specific advice and guidance. The course includes use of the Moodle e-learning interface, especially forums, enabling regular contact with fellow students.

Key Facts

Admission to the course is based on talent. Applicants are asked to submit a portfolio of writing, published or unpublished, and are then interviewed by members of the MA teaching team. Applications are considered throughout the year for entry in September of any academic year. Students are selected on the basis of their work and the interview.

At the beginning of each academic year (late September / early October), a series of introductory workshops will be offered for those starting their MA studies.

Download the Course Programme Specification

Entry Requirements

Applicants are asked to submit a portfolio of writing, published or unpublished, and are then interviewed by members of the MA teaching team. Applications are considered throughout the year for entry in September of any academic year. Students are selected on the basis of their work and the interview.

Application Details

Please apply to this course using our online form:

Apply online now!

Fees and Finance

Fees for students from the UK or EU countries?
StartModeDurationAwardFees
Sep 2013FT1 yearMA£810 per 30-credit module
Sep 2013FT1 yearMA£1,620 for 60-credit final project
Sep 2013PT2 yearsMA£810 per 30-credit module
Sep 2013PT2 yearsMA£1,620 for 60-credit final project

Start

Most of our undergraduate and postgraduate courses start in September/October, at the beginning of the academic year. However, some courses also have January/February or April start options. Short courses take place throughout the year.

Mode

Many of our courses can be studied on a Full-Time (FT) or Part-Time (PT) basis.

We also offer a Sandwich (SW) option for some courses – this usually involves two periods of Full Time study separated by a 'sandwich' placement spent working in an occupation related your course.

Distance Learning (DL) courses can be studied remotely, usually using online learning tools.

Fees

Fees quoted are only for the academic year or start date stated. Fees may change in future years.

The University reserves the right to increase fees broadly in line with increases in inflation, or to reflect changes in government funding policies or changes agreed by Parliament.

For information about fees please contact the School directly. Tel: +44 (0)121 331 5675 Email: english@bcu.ac.uk

Financial Support

Postgraduate students must find ways of funding their tuition fees and living costs rather than relying on government grants and loans. We offer further information on possible financial support.

University Approach to Employability

Our close links with business and the professions mean that our courses are always relevant, up-to-date and meet the exact needs of the current marketplace. Wherever possible, we involve employers in planning the curriculum, while many of our lecturers come from and maintain their links with industry, ensuring they are up to speed with the latest developments.

Employability will be an integral outcome of your studies.

Further Studies

The School of English is very active in research, with excellent 2008 RAE results. MPhil and PhD opportunities may be available. Please get in touch for more information. For further information on courses contact Birmingham City University Choices. Tel: +44 (0)121 331 5595 Email: choices@bcu.ac.uk, or go direct to the courses section of the website.

Course Modules

Reading into Writing (compulsory, 30 credits)

The module is based on the premise that good writing derives not just from the observation of personal and social life, but from an understanding of books. The aim of this module is to give you intensive exposure to the modes of creativity practised and described by established writers from the past and the present to inform and encourage your own experience as a writer.

Final Project (Compulsory, 60 credits)

This module builds on the rest of the course and gives you the opportunity to develop the skills learnt in your genre modules. It also prepares you for the writing marketplace, helping you produce - with guidance - substantial publishable work.

Optional Modules

Three out of five of the following 30 credit genre modules, each of which provides an opportunity for you to develop a substantial piece of work:

  • Fiction: devising and improving short stories and novels.
  • Creative nonfiction: shaping and writing real life stories.
  • Screenwriting: adapting and presenting stories for the screen.
  • Scripting and Staging: offered in cooperation with the Garrick Trust; students collaborate with established theatre professionals, including directors and actors, to produce stageable work.
  • 21st-century Poetry: the writing and design of contemporary poetry.

For more course details visit the website: www.bcu.ac.uk/english

Photo of Andy Conway

Andy Conway

Visiting Lecturer

Andy Conway is a novelist and screenwriter based in Birmingham, who graduated from the School of English in 1994 with a 1st in English Language and Literature. He teaches undergraduate courses in Screenwriting, Drama and Adaptation in the School, and also teaches Screenwriting at The National Academy of Writing, Worcester University and Newman College. He has also taught courses on James Joyce's Ulysses and Sceptical Narrative at Kossuth Lajos University in Debrecen, Hungary.

His first feature film, Arjun & Alison is released in 2011, and he has published several novels, including The Girl with the Bomb Inside, Train Can't Bring Me Home (originally written while a student in the School), The Budapest Breakfast Club, The Striker's Fear of the Open Goal, Touchstone and Lovers in Paris. His novella, The Very Thought of You, has recently been optioned for a forthcoming Hollywood movie.

He has also had fiction published in literary journals as diverse as Stand Magazine, Cascando, Ellipsis, People to People and Minerva's New Writing 3 anthology.

Andy runs the Shooting People Screenwriters Network bulletin, which goes out to 11,000 writers worldwide every day.


Photo of Dr Gregory Leadbetter

Dr Gregory Leadbetter

Director, Institute of Creative and Critical Writing / Director, MA in Writing

Gregory Leadbetter is a graduate of Trinity College Cambridge, and of the MA in Creative and Life Writing at Goldsmiths, London. After winning a Research Studentship for the project, he completed his PhD on Coleridge at Oxford Brookes University.

He is a poet, critic and scriptwriter. A collection of his poems, entitled The Body in the Well, was published by HappenStance Press in 2007, and his poems have been commended in the Arvon Poetry Competition and shortlisted for the Strokestown Poetry Prize. His monograph on Coleridge’s poetry and poetics, Coleridge and the Daemonic Imagination, was published by Palgrave Macmillan in 2011. Between 2005 and 2007, he was a scriptwriter for the BBC radio drama series Silver Street. In 2010, he was Poet in Residence at Radley College, Abingdon.

He teaches creative writing at postgraduate and undergraduate level, and lectures on English Literature 1660-1830.

Read Dr Leadbetter's blog post on Views@BCU

National Storytelling Week 2013 (28/01/13)


Photo of Ian Marchant

Ian Marchant

Lecturer

Ian Marchant is a lecturer in Creative Writing in the School of English. A novelist, playwright and presenter, he is the former co-centre director of the Arvon Foundation’s house at Totleigh Barton, and is an experienced Arvon tutor.

He has published six books, including travel memoirs Parallel Lines and The Longest Crawl (Bloomsbury), both of which were critically acclaimed in The Sunday Sport and The Church of England Newspaper. His latest work is Something of the Night (Simon and Schuster).

As a playwright, Ian has co-written White Open Spaces, which was nominated for a South Bank Show award in 2007 after it was performed at Edinburgh, the West End in London and at the National Theatre of Sweden in Stockholm.

His monologue for the play Joy’s Prayer was broadcast on BBC Radio Four as part of the Woman’s Hour serialisation of White Open Spaces. Other radio work includes presenting A Load of Rubbish, for BBC Radio Four (December 2008) and documentary Top Deck for BBC Radio Four (January 2009).

Ian presented a film for ITV Border about the engineer Thomas Telford in 2007, which was nominated for a Royal Television Society Award, and a four-part series for the same channel, Fun For Some (2008).

He has written for The Guardian, The Telegraph, The Independent on Sunday, The Times and The Sunday Times and makes regular appearances as a guest speaker at literary festivals and for student groups.

Enquiries

Prospective students from the UK or EU
  • Take a look at our Frequently Asked Questions for answers to a range of questions about our courses and studying here.
  • If you need further help, you can contact the Course Enquiries Team online by using the Course Enquiry Form.
  • Alternatively, call us on +44 (0)121 331 5595.
Prospective students from non-EU countries
  • International enquirers from non-EU countries may enquire via the International Enquiry Form.
  • Alternatively, call us +44 (0)121 331 6714.

Further Information

Tel: +44 (0)121 331 7279 (admissions officer)
Tel: +44 (0)121 331 5636 (admissions tutor)

Email: english@bcu.ac.uk
Web: www.bcu.ac.uk/english