Birmingham Conservatoire : Simon Nicholls


Main website search



Simon Nicholls

Photo of Simon Nicholls

Overview
  • Piano and Piano Accompaniment Tutor and Vocal Coach
  • Birmingham Conservatoire
  • Faculty of Performance, Media & English
  • Email: nicholls234@btinternet.com
  • Phone: c/o +44 (0)121 331 6903

Areas of expertise

  • Piano technique, performance and pedagogy
  • Performance practice 18th - 20th centuries
  • Song interpretation
  • Languages: French, German, Russian

Qualifications

  • GRSM
  • LRAM
  • ARCM
Biography

Simon Nicholls studied at Royal College of Music with John Barstow and Kendall Taylor, winning many awards and prizes, and attended masterclasses with Paul Badura-Skoda in Germany. For ten years he taught the piano at the Yehudi Menuhin School, working with Louis Kentner and Vlado Perlemuter, and for twenty years was a professor at Royal College of Music, London. He now teaches piano, accompaniment and song interpretation at the Conservatoire. He has often been a visiting artist at Dartington International Summer School, where he has taught piano, chamber music and improvisation and given many recitals.

Simon performs professionally as a soloist and collaborative pianist. He frequently gives concerts at London’s major recital venues and has toured and broadcast extensively on radio and television in Britain and abroad. He has performed in New York’s Lincoln Center, in New England and in the South West of the USA and he has also played throughout Europe, including the Czech Republic (Prague Spring Festival), Eire, France, Germany, Greece and Holland, and in India and Africa. He has recorded for Chandos Records and Carlton Classics and his compositions are published by Faber Music.

He has written for many musical journals and has conducted extensive research on the life, music and thought of Alexander Skryabin; this has involved several visits to Russia, seeking out original materials and discussing the music with pianists, composers and musicologists. In 2007 he gave a lecture and masterclass at the State Skryabin Museum, Moscow; he has also lectured in London and Birmingham. Articles to be published in America, Russia and Korea are currently in preparation.

Research
  • 2011: 'Po sledam A. N. Skryabina - pianista' ['On the tracks of A. N. Skryabin as pianist']. Uchënie zapiski [Scholarly Writings] vol. 6 p. 165-181. Memoryal'nyi muzei A. N. Skryabina [Museum in memory of A.N. Skryabin] Moscow 2011. [In Russian translation by Anton Rovner.]
  • 2010: 'With Exotic Enthusiasm: annotations and titles in the music of Skryabin as clues to content and aids to interpretation'. Journal of the Scriabin Society of America. Vol.15 no.1 (Winter 2010-2011). pp. 77-101.
  • 2009: Fortepiano magazine (Moscow) Nos 1-2 (43-44): ‘Osobennosti ispolneniya fortepiannoi muzyki AN Skryabina’.
    [English version published as: ‘Special features of interpretation in the piano music of Scriabin’. Journal of the Scriabin Society of America, Vol. 14 no. 1 , Winter 2009-2010.]
  • Recording Notes for Scriabin: The Complete Etudes; The Complete Preludes, recorded by Piers Lane for Hyperion
  • Recording notes for Scriabin: The Complete Sonatas, recorded by Marc-André Hamelin

Major recordings

  • 1998: Britten: The music for oboe and piano with Robin Canter (Carlton Classics 30366 00962)
  • 1995: Schubert and Boehm: Music for flute and piano with Rachel Brown (Chandos 0565)

 

Share |