Film and Screenwriting with a Foundation Year - BA (Hons)
Clearing 2018
80 points
(or equivalent) is the minimum you will need to be considered for this course in Clearing.
Use the UCAS Tariff Calculator to work out your points.
Social media
Get an offer or ask a question by direct messaging us on Facebook, Twitter or Instagram.
Message usThis cutting edge new BA programme will develop your skills across key film studies and screenwriting debates and conventions. You will be taught by noted film scholars and established practitioners, who will provide their knowledge of international film and screenwriting perspectives.
The course is part of Birmingham City University’s Film Futures suite, designed to develop graduates with the theory, practice and industry trends that will enable them to succeed in a rapidly changing film environment.
About foundation courses
After successful completion of your foundation year, you will have the flexibility to switch (should you wish to change direction) onto a number of related undergraduate degree programmes within Birmingham School of Media.
Why study a degree with a foundation year?
Foundation years are a great option if you have the talent, ambition and potential to thrive at Birmingham City University, but do not meet the entry requirements for your preferred course. It’s ideal if:
- You want the flexibility of a year’s study on a more general course to find out the best degree choice for you.
- You have changed your mind about your career since you chose your A-levels or BTECs and need to improve your skills in a different subject area.
- You would like extra time and support to help you build your knowledge, skills and confidence before starting a full degree.
What's covered in the course?
The course considers of a wide range of script to screen traditions from theory, practice and industry perspectives.
Not only will you gain an understanding of Hollywood cinema conventions (from silent cinema to modern blockbuster spectaculars), but you will apply these storytelling techniques to a variety of production scenarios. As well as looking at American film and screenwriting genres (such as rom-com, thriller, science fiction and horror case-studies), you will also be introduced to other international traditions of cinema that range from European perspectives of documentary to Bollywood film and beyond.
A key focus of the course will be on the aesthetic and creative aspects of film and screenwriting, with consideration being given to techniques of storytelling, narratology and screen adaptation. Modern transmedia approaches to storytelling are also considered, while modules on film festival programming and film entrepreneurship provide core skills relevant to the film industry.
How you will learn
You will be taught in a range of lectures, seminars, writing workshops and production sessions, while regular film screenings help you contextualise cinema traditions against your own script creations.
Your formal studies will be enriched by the possibility to work on a range of external events, such as the Cine-Excess International Film Festival. This annual event attracts visiting international filmmakers, as well as hosting UK theatrical premieres on a regular basis. Having previously operated in London’s West End and Brighton, Cine-Excess has now relocated to BCU to operate as a central resource for the course.
Why Choose Us?
- The course combines theory, practice and industry approaches to film and screenwriting, alongside training in both documentary film techniques and film festival programming.
- You will be taught by noted film professors, cinema scholars and established screenwriters. Staff on the programme work together to ensure that you receive a balanced understanding of theory, practice and industry skilling relevant to the field.
- You will be taught at the city centre campus, home to a £62 million suite of media resources, studios and edit suites.
- You will have the opportunity to work on established film festivals that are associated with the BA. These include the annual Cine-Excess International Film Festival, which features visiting international filmmakers, UK theatrical premieres and industry mentoring sessions.
- You will also have the opportunity to work on film projects completed as part of the Cine-Excess festival. One recent production completed by BCU students and staff was the award winning documentary Tax Shelter Terrors (2017).
- You will have access to film collections that will enrich your course of studies. These include the Cult Film Archive, a collection of 4,000+ resources (including films, screenplays and promotional materials) that have been donated directly from leading filmmakers and distribution companies in the field.
Open Days
Our next Open Day for this course will take place in Autumn 2018. Register your interest and we'll let you know details as soon as they are available.
Register your interest
This course is not open to International students
Discover the Birmingham School of Media
Visit our School site for more student work and extra information.
Entry Requirements
80 points
(or equivalent) is the minimum you will need to be considered for this course in Clearing. Use the UCAS Tariff Calculator to work out your points.
Social media
Get an offer or ask a question by direct messaging us on Facebook, Twitter or Instagram.
Message usWe accept a range of qualifications, the most popular of which are detailed below.
UK students
| Essential | ||
|---|---|---|
|
At the point of enrolment, you must have GCSE at Grade 4 or above in English Language. Equivalent qualifications can be considered in lieu as long as the required subject is covered. |
||
|
80 UCAS tariff points. |
||
| Typical Offers | ||
| UK Qualification | Requirements | |
| A level | CDD. A maximum of three subjects are considered. Other 6-unit qualifications can be considered in lieu of one or two A-level subjects. Excluded subjects General Studies and Critical Thinking. | |
|
Pearson BTEC Level 3 National Extended Diploma |
MMP | |
| Access to HE Diploma | 60 credits overall - 15 credits at level 2 and 45 credits at level 3 GCSE English language at grade 4 (C) or above or equivalent qualifications must be achieved at application stage. |
|
|
Scottish Higher |
Achieve a minimum of 80 tariff points achieved from either five Highers or a combination of two Highers offered with two Advanced Highers. | |
|
International Baccalaureate Diploma Programme |
Obtain a minimum of 24 points overall. For students who do not already hold a GCSE in English Language at Grade C/4 or above Standard Level English Language (not literature) Group A English Group A - Grade 4 or above. Students who do not complete the IB Diploma and who achieve the minimum of 11 points from two Higher Level subjects, will be considered on the basis of their IB Certificates. OR English Group B - Grade 5 or above from the IB will be accepted. | |
|
OCR Cambridge Technical Certificate |
Must be offered along with either two A-levels or two BTEC Level 3 Subsidiary Diplomas of 80 tariff points. Cannot be offered as a standalone qualification. |
|
|
Pearson BTEC Level 3 National Diploma |
MM. Can be offered along with either one A-level or one BTEC Subsidiary Diploma/ OCR Cambridge Technical Introductory Diploma qualification to achieve a minimum of 80 tariff points. | |
|
Scottish Advanced Higher |
Achieve a minimum of 80 tariff points achieved in either three Advanced Highers or from a combination of two Advanced Highers plus two Highers. | |
| Other qualifications | ||
| If you have a qualification that is not listed in the table please refer to our full entry requirements on UCAS. Further guidance on tariff points can be found on the UCAS website. | ||
Worried about your results?
Explore your options with Clearing
If you're worried about your exam results, changed your mind about your course choices or haven't applied yet - Clearing is a great time to explore your options. We explain what Clearing is and how it works.
UK or EU students
| Award | Start | Mode | Duration | Fees | |
|---|---|---|---|---|---|
| BA (Hons) | Sep 2018 | FT | 4 years | £9,250 per year |
Call Now
|
International Students
Sorry, this course is not available to international students.
The University reserves the right to increase fees in line with inflation based on the Retail Prices Index or to reflect changes in Government funding policies or changes agreed by Parliament up to a maximum of five per cent.
Places available to start in September 2018
If you'd like to start this course full-time this September, you can apply through Clearing.
Social media
Get an offer or ask a question by direct messaging us on Facebook, Twitter or Instagram.
Message usWant to start in September 2019?
You can apply via UCAS from 5 September 2018.
Portfolio Guidance
You are not required to submit a portfolio for this course.
Additional costs
Your course fees include access to film and facilities at BCU’s city centre campus. You will also be able to access other specialist technical equipment, which can be booked for your personal projects as well as university coursework.
There are no compulsory additional costs or charges associated with studying on this course. While you may choose to purchase personal copies of text books, all our key text books are available from our library or online (subject to normal library loan and online access arrangements).
Based on the past experience of our students, you might find it helpful to set aside about £50 for each year of your studies for stationery and study materials.
Foundation year
Year one
In your first year you will study the following modules: |
Year two
You will study the following modules in your second year: |
Year three
You will study the following modules in your third year: |
During the first year of the BA (Hons) Film and Screenwriting course, you will be introduced to core debates across film and storytelling techniques through modules such as Film and the Principles of Storytelling. This unit presumes no prior knowledge of either film studies or screenwriting techniques, and your introductory skilling in these areas will be further expanded through the Screenwriting for Film Genres module, which considers script to screen traditions across a range of Hollywood film formats. Further modules such as The Language of Film allow you to identify key film styles and techniques on screen, while Documentary: Theory and Practice offers you the opportunity to create your own short films based on documentary techniques in the field.
The second year of the course lets you expand your knowledge of the creative and literary practices of film through more detailed modules such Adaptation for the Screen. This module considers how fictions can change across differing mediums and cultures. As well as being able to undertake a range of optional modules around topics such as Comedy and the Media and Fandom and Subcultures, this second year of study also provides a dedicated module on Festival programming, which outlines the key industry skills required to stage cinema events.
During the final third year of study, your knowledge of film and screenwriting techniques will focus on both specific film genres and national cinema traditions. A module on Horror Narratives considers literary and cinematic versions of the fantastic, while optional modules on Bollywood Cinema and Global Cinema Narratives outline the importance of non-Western traditions of film. In addition to these national considerations, an optional module on Film Entrepreneurship allows you to assess key business practices that are relevant to the current cinema industry. As the culmination of your final year of study you will also undertake the Major Project module, which allows you to carry out an independent study of an aspect of cinema theory, film practice or an industry convention that has interested you as a result of your studies on the BA (Hons) Film and Screenwriting course.
Classroom hours
You will have up to 12 hours per week contact time, alongside additional practical activities and self-directed tasks.
Teaching breakdown
| value | label | color |
|---|---|---|
| 29 | Time in lectures, seminars and similar | MidnightBlue |
| 71 | Time in independent study | RoyalBlue |
Assessment breakdown
Classroom projects
During your studies there will be practice-based opportunities to engage with a regional film festival such as Cine-Excess, an annual international film festival and conference on global cult film cultures. You will also be able to access film collections such as the Cult Film Archive during the course of your studies.
The Birmingham School of Media also has an established and inclusive research culture that promotes dialogue and collaboration between staff and students. The Birmingham Centre for Media and Cultural Research (BCMCR) in the School of Media welcomes visiting researchers from across the world and holds regular research seminars which mix presentations from staff, PG students and speakers from a range of our collaborative partnerships. BCMCR welcomes all students to research seminars, which are free to attend.
Further study
For successful graduates there is a natural progression from the BA Film and Screenwriting with a Foundation Year to the MA Film Distribution and Marketing, focused on nurturing entrepreneurial producers and distributors, or the MA and MSc Future Media focused on exploiting digital media and marketing opportunities through emerging technologies and advertising agency techniques.
Alternatively, Birmingham School of Media at Birmingham City University offers a wide range of MA courses, allowing you to specialise in such areas as Multiplatform and Mobile Journalism, Data Journalism, PR, Event, Festival and Exhibition Management and Media and Cultural Studies.
Details can be found on the postgraduate section of the website.
The BA (Hons) Film and Screenwriting course is located within the Birmingham School of Media, which has an excellent track record for graduate employment. Within the School, the majority of graduates going into media-related roles. The course builds upon the School’s employability driven reputation, by opening avenues for students interested in potential careers in screenwriting, film journalism, communications, marketing & PR, advertising and teaching film/media studies.
As well as gaining course-specific skills, you could also gain broader tools through our Graduate+ programme, which will help enhance your employment options by helping with careers development, employability activities, volunteering and part-time work experience.
Allied with this course-specific experience, you will also have access to a range of support staff and services from the University’s Careers Service, who can help with:
- Reviewing CVs, covering letters and application forms
- Career planning and decision making
- Preparing for interviews and assessment centres
- Developing portfolios
- Networking with employers
- Advice about self-employment and entrepreneurship
Placements
During your second year, you will have the opportunity to work as part of a mixed discipline team to respond to a brief, as part of an in-house placement element of the course.
In addition to this, there are regional opportunities for visiting and volunteering at film festivals, such as Cine-Excess, and Flatpack, and for networking with producers and distributors who function as guest speakers at such events.
OpportUNIty
OpportUNIty: Student Jobs on Campus ensures that our students are given a first opportunity to fill many part-time temporary positions within the University. This allows you to work while you study with us, fitting the job around your course commitments. By taking part in the scheme, you will gain valuable experiences and employability skills, enhancing your prospects in the job market.
It will also allow you to become more involved in University life by delivering, leading and supporting many aspects of the learning experience, from administration to research and mentoring roles.
Our Facilities
When you join Birmingham City University, the first thing you will notice is the high standard of our campuses. With an investment of £260 million across our buildings and facilities, we are committed to giving you the very best learning environment to help shape your experience.
Birmingham School of Media is recognised as a key centre of excellence in interactive media training, television production and education by Creative SkillSet, the UK Sector Skills Council for the audio visual industries.
State-of-the-art facilities
You will learn in our state-of-the-art facilities - including the £62m fully-digital Media Centre - located on the City Centre Campus. You will enjoy access to extensive studio and workshop space including four TV studios, six radio studios and broadcast-standard edit suites, as well as cutting-edge equipment and software.
Facilities include the largest TV floor of any university in the UK, a ‘green screen’ and the MILO motion control camera - we are one of just two universities in Europe to offer MILO technology.
Our Staff
Our teaching staff comprises specialists in their respective fields, including academics and industry professionals, all of whom are perfectly placed to offer a wealth of experience and knowledge. Birmingham School of Media students also benefit from access to high-profile guest speakers from across the industry.
A dynamic community that is responsive to the changing face of the media industry, Birmingham School of Media is the perfect starting point to your media career.
Dr Xavier Mendik
Professor in Film/Director of the Cine-Excess International Film Festival
Xavier Mendik is Associate Professor in Film at Birmingham City University, from where he runs the Cine-Excess International Film Festival (www.cine-excess.co.uk). He has written extensively on cult film traditions, and some of his books (as author/editor/co-editor) include: Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema (2015), Peep Shows: Cult Film and the Cine-Erotic (2012), 100 Cult Films ([with Ernest Mathijs], 2011), The Cult Film Reader ([with Ernest Mathijs],2008), Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 (2004), Shocking Cinema of the Seventies (2002), Underground USA: Filmmaking Beyond the Hollywood Canon (2002), Dario Argento’s Tenebrae (2000) and Unruly Pleasures: The Cult Film and its Critics (2000).
Beyond his theoretical work in this area, Xavier Mendik has also completed 5 funded documentaries that explore the social importance of a range of cult film traditions. Xavier Mendik is currently completing the feature length documentary That’s La Morte: Italian Cult Film and the Years of Lead, which draws on research outlined in this current paper.
Andy Conway
Lecturer in Creative Writing
Andy is a prolific screenwriter and novelist with 30 years’ experience of the writing industry. He’s worked as a screenwriter on many films, both produced and lost in development hell, for over 20 years, and runs the Shooting People Screenwriters’ Network, with 11,000 worldwide members. He also co-founded the West Midlands Screenwriters’ Forum, and the new independent publishing collective, New Street Authors.
His feature film, Arjun & Alison, a campus revenge thriller set in Birmingham, toured film festivals around the world and was released in UK cinemas in spring 2014. He currently divides his time between the three feature films he has in pre-production, writing his series of historical fantasy novels, Touchstone, co-writing a guide to the world of self-publishing, and lecturing in Screenwriting at Birmingham City University.
Dr Charlotte Stevens
Research Fellow
Dr Charlotte Stevens has published articles in Feminist Media Studies, CineAction, and on the Critical Studies in Television blog. She has also contributed chapters to an edited collection on Doctor Who, and the forthcoming Cult Media: Re-packaged, Re-released and Restored (Palgrave, 2017).